Review of Christy Gast: Out of Place in The Miami Rail by Amanda Sanfilippo
Out of Place features ten sculptural wall works constructed almost entirely out of burlap. As a distinct shift in practice for Gast, this new body of work was conceived through an intuitive process of exchanges, meditations, and transformations in and around the artist’s studio. There, claimed objects from various arbitrary sites were manipulated into assemblages, and translated finally into the fibrous cloth. In this process, Gast’s significant skill and background in textiles murmured to the surface — traced from a rural adolescence fashioning her own clothes and experimenting with cloth as a medium in bucolic Ohio. For Gast, burlap is a choice that seemed somehow obvious, its rawness offering a place to begin.
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